CERAMICS ART + Perception Issue 122
$27.00 AUD
SKU: MG-CAP122
CONTENTS
To live is to Leave Traces: Anne Mette Hjortshøj by Sebastian Blackie
The Porcelain of Capodimonte by Giovanni Piesco
Courting Indigo by Jack Troy
Brick by Brick: A Brief History of Clay Bricks from Kansas, USA by Chris Garcia
Jane Yang-D’Haene at Bienvenu Steinberg & J, New York City by Janet Koplos
Marea Gazzard: Utopia Art Sydney by Christopher Hodges and Brett Stone
Collage, Montage, and Perception: Unveiling Postcolonial Aesthetics of the Female Body in Printed Ceramics by Nandini Chandavarkar
Interrogating the African Electoral System: A Narrative in Conceptual Ceramics by Okewu Ebute Jonathan
Clay Houses by Craig Hinshaw
Fresh New Talent at the British Ceramics Biennial by Clare Wood
Playing with Fire. CLAY Museum of Ceramic Art Denmark by Sanne Flyvbjerg
Wang Xianfeng: Innovating Jun Ware by Zhu Yalei
Listening to Clay: Conversations with Contemporary Japanese Ceramic Artists by Alice North, Halsey North, and Louise Allison Cort review by Janet Koplos
A Journey Painted in Clay: A Book in the Making by Agalis Manessi
Early Porcelain making in Victoria, Australia by Gregory Hill
Eiji Uematsu at Alison Bradley Projects, New York City by Janet Koplos
Saggar Firing in an Electric Kiln by Jolanda van de Grint
The Ceramics of Nsentip Udom by Martins N. Okoro and Rita-Doris Ubah
Toshiko Takaezu: Shaping Abstraction. Museum of Fine Arts, Boston September 30, 2023 – September 29, 2024 by Matthew Kangas
Redefining Beauty: The Art and Ethos of Fractured Ceramics by Leman Kalay
How Illustrations on Porcelain Helped Raise Children in Ancient China by Na Wei and Chuanlan Liu
My Grandfather’s Marbles by Lisa Floryshak
The Non-dualistic Beauty of Hun Chung Lee by Bang, Chang Hyun
Romancing the Stone by Penny Smith
TECHNICAL
Q&A: Coasting Cones by Jeff Zamek
Q&A: Mold Growth in Clay by Jeff Zamek
Bone China: Revisited and Reformulated by John Shirley
The Utilization of Rare Earth Elements as Colorants in Transparent Ceramic Glazes as an Innovative Approach by Selvin YEŞİLAY
Cover image: Andrea Leigh, Lone Voice, white earthenware clay
Image credit: Catherine Dineley